Sadly, the seminal American composer Elliott Carter died last week in his New York City home; he was 103 years old. In his wake, Carter left an insurmountable number of compositions which earned him not only the accolades of every single significant composer, historian, and scholar of the previous two centuries, but also a Pulitzer prize.
His compositional language was daunting, abstract, highly academic, and sometimes seemed to dare his listeners to explore the outermost regions of their ear's endurance. I loved the music of Elliott Carter for this very reason. Hearing his music for the first time was like having a blanket pulled away from a sound world I never even knew existed. Nevertheless, in my time with TWD I have written only one article regarding Elliott Carter – and the remarkable thing is that it was from this June, when he was still premiering new works.
With this in mind, classical guitarist and friend of the Dig Brian has written a lovely and eloquent piece regarding the life and career of Elliott Carter. Read on for his thoughts as well as a video of Ursula Oppens performing Elliott Carter's Retrouvailles for solo piano. You dig?
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